Rogers Stirk Harbour + Partners (RSHP) with Château La Coste are pleased to present the completion of Richard Rogers’ final work begun before his retirement from practice in June 2020. Château La Coste, a 500-acre area of outstanding natural beauty is an internationally renowned destination for art and architecture.
Set in Château La Coste’s vineyard, the Richard Rogers Drawing Gallery is a 120m² gallery space that cantilevers off a hillside amongst trees above a historic Roman track, overlooking the ancient ruin of La Quille and the Luberon National Park. It joins the Château La Coste’s Architectural & Art Walk, amongst pavilions by renowned architects including, Renzo Piano, Tadao Ando and Jean Nouvel.
In 2011, Richard was invited to choose a place in the landscape that spoke directly to him and was given the freedom to design a gallery that would live there. The remote and unusual location selected required a bespoke design and fabrication.
Designed to have the lightest of touches on the area and its ecology, the building cantilevers out 27m to a point 18m above the heavily wooded site. Its delicate joints and expressed elements support the lightweight extruded gallery, clad in a naturally finished satin steel, softly mirroring the surrounding landscape.
The external orange steel beams taper as the construction floats outwards into mid-air. Where the building touches the ground, it does so subtly, belying the robust engineering below ground that supports the structure from just one end. Industrial in nature but with elegant handcrafted details, the building is itself a sculpture in this landscape.
You leave the terra firma of the old Roman track and transition across a lightweight bridge to the cantilevering gallery. Walking through the support structure it is here where the visitor experiences a sensation of almost floating.
The gallery’s single rectangular room frames a view of the landscape through the 5x4m opening at its furthest end, beyond extends a terrace, above which the eaves gently jut out buffering the light between inside and out.
The physics of the building, cantilevering as it is in combination with the region’s seismic activity, requires bridge type engineering and construction techniques. The building and its materials needed to be flexible. The cables at the entrance that ground the structure contract and expand, sensitive even to the local climate’s fluctuating temperatures. The poured resin gallery floor flexes in harmony with the structure.
Stephen Spence, RSHP associate partner and project lead said: “The gallery is a beautifully handcrafted piece of architecture that soars out dramatically into the canopy of the trees to ‘capture the view’ of the mountains of the Luberon. In contrast to the neutral gallery space, the legibility of the external structure is enhanced by its bold orange colour, specifically chosen both to compliment, but also contrast with the surrounding seasonal landscape."
Paddy McKillen, client and owner of Château La Coste said: “I have enjoyed the numerous discussions with Richard, Stephen and his colleagues over the years and I want to thank Richard and everyone involved for creating this magnificent Pavilion and our visitors will enjoy its beauty forever."
For more information, contact
• Vicki Macgregor, Strategic Communications & Marketing Manager, Rogers Stirk Harbour + Partners, on 07825 602 738, firstname.lastname@example.org
Château La Coste is situated halfway between the historic town of Aix en Provence, home of Cézanne, and the famous Luberon Nature Park, Château La Coste is set in the heart of the biodynamic vineyard Château La Coste, an international destination for art, architecture and natural beauty. https://chateau-la-coste.com/en/
Rogers Stirk Harbour + Partners is an international architectural practice based in London. Over the past four decades, RSHP has attracted critical acclaim and awards with built projects across Europe, the Americas, Asia and Australia.
The practice is experienced in designing a wide range of building types including: office, residential, transport, education, culture, leisure, retail, civic and healthcare. The quality of its designs has been recognised with some of architecture’s highest awards, including two RIBA Stirling Prizes, one in 2006 for Terminal 4, Madrid Barajas Airport and the other in 2009 for Maggie’s West London Centre. The practice has completed a number of cultural and leisure projects including: Conservation and Exhibitions Centre at the British Museum; One Monte Carlo, a new district in Monte Carlo with an art gallery, convention centre, apartments and offices; and a new Conservation and Storage Centre for the Louvre.